DOI: 10.52510/sia.v2i2.26

In this issue, the pen of academician Mehmed Akšamija offers you a continuation of his analysis of the work of art (qadar/ṣināʿat) within the Islamic worldview. By his analysis and setting boundaries in accordance with the recognized  authorities of "Islamic art", Akšamija, for the first time, clearly defines the modalities of qadar/ṣināʿat discourse, modalities that are undoubtedly based on Islamic sources (ar. al-marjaʿ or al-maṣdar).

Great ideas that push the boundaries of cognition, especially in art, are not immediately understandable to all, but over time they become standard values among those who understand the art, as one of the highest degrees of human spirituality.

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