DOI: 10.52510/sia.v2i2.26

In this fifth issue, academician Akšamija analyses and discusses „some parts of the history of what is declared or titled as „Islamic art" in the critical framework of both Occidental-Westernized and some Muslim theoretical views".

The main objective of Akšamija’s comparisons or confronting of concepts, content and forms of „Islamic art” with, conditionally speaking, „Western” or „European art” is not to prove the supremacy of one „art” over the another...

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